Sans Normal Vimeb 5 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'News Gothic No. 2' by Linotype; 'RF Dewi' by Russian Fonts; 'Hamburg Serial' and 'Plymouth Serial' by SoftMaker; 'Kommon Grotesk' by TypeK; 'TS Franklin Gothic', 'TS Hamburg', and 'TS Plymouth' by TypeShop Collection; and 'Tablet Gothic' by TypeTogether (names referenced only for comparison).
Keywords: ui text, product design, branding, editorial, presentations, modern, clean, dynamic, techy, understated, emphasis, clarity, versatility, modernity, ui readiness, humanist, oblique, open apertures, rounded terminals, economical.
A clean oblique sans with low-contrast strokes and gently rounded curves. The letterforms are slightly condensed in feel with a forward slant, smooth joins, and largely open counters that keep shapes readable. Terminals are mostly plain and softly finished rather than sharply cut, and curves (notably in round letters and numerals) follow simple, even geometry. Overall spacing and rhythm feel consistent, producing a tidy texture in paragraphs and a crisp silhouette in display sizes.
Well-suited to UI labels, product interfaces, and dashboards where an italic voice is needed without sacrificing clarity. It also works for contemporary branding, marketing collateral, and editorial pull quotes where a clean, slanted sans can add emphasis and pace. In longer text, it maintains an even, readable texture for highlights, captions, and secondary typographic layers.
The tone is contemporary and efficient, with a subtle sense of motion from the italic angle. It reads as practical and neutral rather than decorative, suggesting a modern, product-oriented sensibility. The smooth curves and open shapes give it an approachable, streamlined character.
Designed to provide a modern italic companion that remains clear and neutral, emphasizing smooth geometry and steady rhythm. The intent appears to be versatile emphasis—adding forward energy while staying restrained and highly legible across typical text and interface contexts.
Uppercase forms stay straightforward and legible with minimal stylization, while lowercase shapes maintain a clear, unobtrusive cursive-italic construction. Numerals follow the same smooth, geometric logic, pairing well with text without calling attention to themselves.