Sans Normal Remib 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'News Gothic BT' by Bitstream, 'Newspoint' by Elsner+Flake, 'News Gothic No. 2' by Linotype, 'News Gothic' by ParaType, 'PF Das Grotesk Pro' by Parachute, 'Plymouth Serial' by SoftMaker, 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection, and 'News Gothic' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, modern, confident, clean, friendly, utilitarian, clarity, impact, modernity, versatility, geometric, rounded, solid, even, compact.
A solid, geometric sans with even stroke weight and broadly rounded curves. The letterforms favor simple construction and open apertures, with smooth joins and minimal modulation. Proportions feel compact and stable, with generous counters in rounded letters and straightforward, unembellished terminals that keep the texture consistent across lines. Numerals share the same sturdy, geometric logic, reading clearly at display sizes.
Best suited to headlines, titles, and brand marks where a strong, clean sans presence is desired. It also works well for posters and signage thanks to its sturdy shapes and clear numerals, and can support packaging or labels that need an assertive but approachable voice.
The overall tone is modern and dependable, projecting clarity and confidence without feeling harsh. Its rounded geometry adds a mildly friendly, approachable voice while retaining a straightforward, functional presence suitable for contemporary branding and UI-adjacent typography.
The design appears intended to deliver a contemporary, geometric sans optimized for impact and legibility, emphasizing consistent weight, simple construction, and a cohesive rhythm in text. It aims for broad usefulness in modern visual systems where clarity and a confident tone are priorities.
The rhythm in text is dense and steady, producing a strong typographic color that holds up well for headings and short blocks. Curves and straight segments are balanced to feel engineered rather than calligraphic, with a cohesive, no-nonsense silhouette across the alphabet and figures.