Font Hero

Free for Commercial Use

Stencil Imli 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Artford' by Synthview, 'Gymkhana' by Typodermic, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, branding, apparel, packaging, industrial, military, sporty, retro, assertive, impact, labeling, motion, ruggedness, slanted, blocky, geometric, angular, compressed counters.


Free for commercial use
Customize the font name

A heavy, right-leaning stencil sans with broad proportions and tightly packed internal spaces. Forms are built from simple geometric masses with sharply cut terminals and frequent diagonal shears, producing a fast, forward rhythm. The stencil breaks are consistent and often placed through bowls and apertures, creating crisp bridges and distinctive internal notches; counters are generally compact, and curves are rendered as thick arcs rather than delicate transitions. Overall spacing reads sturdy and headline-oriented, with sturdy numerals and clear, poster-like silhouettes.

Best suited to short display settings where the stencil bridges can read as a graphic signature: posters, event titles, team or motorsport branding, apparel marks, and packaging front panels. It can work for signage-style treatments and UI hero text, but is less ideal for long passages where the repeated breaks may reduce comfort.

The tone is forceful and utilitarian, evoking industrial labeling, tactical markings, and high-impact sports graphics. Its pronounced slant and hard-edged cuts add urgency and motion, while the stencil interruptions contribute a coded, equipment-like character.

The font appears designed to deliver maximum impact with a dynamic, slanted stance and a disciplined stencil system. Its simplified geometry and consistent bridges suggest an intention to emulate marked equipment and industrial typography while remaining bold and logo-friendly.

The design relies on deliberate voids and bridges as primary style features, so texture becomes more fragmented as size decreases. The heaviest joins and small counters can fill in visually at smaller settings, while larger sizes emphasize the graphic cutouts and bold shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸