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Sans Superellipse Gunoz 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Factory' by Brainware Graphic, 'Military Jr34' by Casloop Studio, 'Cartella NF' by Nick's Fonts, 'Reload' by Reserves, and 'Dark Sport' by Sentavio (names referenced only for comparison).

Keywords: headlines, logos, posters, packaging, sports branding, techy, industrial, playful, futuristic, robust, impact, modern branding, modular geometry, compact emphasis, logo readability, rounded corners, squared bowls, soft geometry, stencil-like joins, compact spacing.


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A heavy geometric sans built from rounded-rectangle and superellipse forms, with uniformly thick strokes and generously radiused corners. Counters tend to be squarish and compact (notably in O, Q, 8), and many joins are simplified into straight segments with softened terminals. Several glyphs show distinctive notch-like or cut-in shaping at joints (e.g., curves meeting stems), creating a subtly engineered, modular rhythm. The overall texture is dense and blocky with relatively tight apertures and controlled internal space, giving words a solid, tiled appearance at display sizes.

Well-suited for bold headlines, brand marks, product titling, and packaging where a sturdy geometric voice is needed. It also fits UI or tech-adjacent graphics, esports/sports branding, and poster work that benefits from compact, high-impact letterforms.

The letterforms read as modern and machine-friendly, balancing a tough, industrial presence with soft, rounded edges. Its geometry suggests a tech and gaming sensibility—confident, assertive, and slightly playful—rather than neutral editorial minimalism.

The design appears intended to deliver a strong, contemporary display sans with softened corners and modular, engineered details, emphasizing recognizability and punchy word shapes. The consistent rounded-rect construction and compact counters suggest an aim for cohesive branding and high-contrast presence at large sizes.

The uppercase set feels particularly compact and emblematic, with squared bowls and short crossbars contributing to a logo-like silhouette. Numerals follow the same rounded-rect logic, producing a consistent, signage-ready system. In longer lines, the dense color and closed shapes favor impactful headings over small text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸