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Free for Commercial Use

Distressed Sege 7 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'Gothic No.13' by Bitstream; 'European Sans Pro' by Bülent Yüksel; 'CF Blast Gothic' by Fonts.GR; 'Anantason Mon', 'Anantason Reno', 'Prachason Neue', and 'Prachason Neue Mon' by Jipatype; 'Gothic 13' by Linotype; and 'CG Triumvirate' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, event flyers, rugged, industrial, vintage, rowdy, comic, impact, texture, aging, poster, grunge, roughened, inked, blocky, stamped.


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A heavy, condensed display face with chunky, mostly monoline strokes and squared-off construction. The letterforms are built from bold, simplified shapes with slightly rounded corners, while the contours show deliberate distressing: chips, nicks, uneven edges, and occasional interior speckling that suggests worn ink or rough printing. Counters are compact and often asymmetrical due to the texture, and terminals end bluntly rather than tapering. Overall rhythm is tight and punchy, with noticeable irregularities that add movement and a handmade/printed feel.

Best suited to high-impact display settings such as posters, event flyers, album/merch graphics, and bold packaging where texture is an asset. It works well for short bursts of text—titles, labels, and punchy callouts—especially when paired with a cleaner sans or serif for supporting copy.

The font conveys a gritty, loud, and hands-on tone—more street-poster and DIY than polished branding. Its distressed texture reads as aged, printed, and a bit rebellious, lending an energetic, slightly comic roughness to headlines.

The design appears intended to deliver maximum visual impact through condensed, blocky forms while adding character via a worn, imperfect print texture. It prioritizes attitude and tactile presence over neutral readability, aiming to evoke stamped ink, weathered signage, or distressed poster lettering.

The distressing is consistent across caps, lowercase, and numerals, keeping the set cohesive while ensuring each glyph feels uniquely worn. The condensed proportions and dense black shapes create strong impact at larger sizes, while the rough edges can reduce clarity as sizes get smaller.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸