Sans Superellipse Feban 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Knight Sans' by Cadson Demak, 'Andante' by Ckhans Fonts, 'DIN Mittel EF' by Elsner+Flake, 'Isotonic' by Emtype Foundry, 'Muller Next' by Fontfabric, 'Knight Sans' by T-26, and 'DINosaur Sharp' by Type-Ø-Tones (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, dynamic, modern, assertive, technical, impact, motion, clarity, branding, modernity, oblique, rounded, compact, sturdy, geometric.
A heavy, oblique sans with rounded, superelliptical curves and a compact, forward-leaning stance. Strokes are thick and even, with softened corners and broad, open counters that keep the interior spaces readable at display sizes. The letterforms favor clean geometric construction—rounds feel slightly squared-off, terminals are crisp rather than calligraphic, and the overall rhythm is tight and energetic with minimal ornamentation.
Best suited to short-form, high-impact typography such as headlines, posters, signage, and brand marks where the oblique emphasis adds momentum. It also works well for sports and tech-adjacent branding, packaging callouts, and promotional graphics that benefit from compact, sturdy shapes and strong figure legibility.
The overall tone is fast, confident, and contemporary, with a strong “in motion” feel created by the consistent slant and dense weight. It reads as sporty and promotional, suited to messaging that needs impact and urgency without becoming aggressive or gritty.
The design appears intended to deliver a bold, modern sans voice with a built-in sense of speed through its oblique posture, while keeping forms friendly and approachable via rounded, superelliptical geometry. It aims for clear, punchy readability in display contexts with a cohesive, tightly engineered silhouette.
Uppercase forms are robust and simplified, while lowercase maintains a clean, functional look with single-storey shapes where expected and a sturdy, upright structure adapted to the oblique angle. Numerals match the same rounded-rectilinear logic, giving figures a cohesive, solid presence for headlines and score-like settings.