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Free for Commercial Use

Sans Normal Adnad 8 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Salma Alfasans' by Alifinart Studio, 'Riveta' by JCFonts, 'Mandioca' by Latinotype, 'Helvetica Now' by Monotype, 'Genora Sans' by Pixesia Studio, 'Quarion' by René Bieder, 'Amsi Grotesk' by Stawix, and 'Conigen' by Yukita Creative (names referenced only for comparison).

Keywords: ui text, product design, editorial, brand systems, signage, modern, clean, efficient, technical, confident, clarity, contemporary feel, emphasis, utility, speed, oblique, geometric, monoline, open apertures, rounded terminals.


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A slanted, monoline sans with smooth, geometric construction and broadly open counters. Curves are built from near-circular bowls and steady arcs, while straight strokes maintain consistent thickness and crisp joins. Proportions feel slightly extended, with generous horizontal space and a stable, even rhythm in text. The lowercase shows a single-storey a and g, compact shoulders, and rounded forms that stay clear at smaller sizes; numerals are straightforward and uncluttered with simple, readable shapes.

This style suits interface typography, product and app branding, and contemporary editorial layouts where a clean italic voice is needed for emphasis or a forward-leaning tone. The open shapes and steady stroke color also make it a good fit for wayfinding and informational graphics that benefit from quick recognition at a glance.

The overall tone is modern and purposeful, with a subtle sense of motion from the slant. It reads as crisp and efficient rather than expressive, conveying clarity, speed, and a contemporary, tech-adjacent sensibility.

The design appears intended as a neutral, contemporary sans italic that prioritizes legibility and consistent texture while adding energy through an oblique stance. Its geometric, simplified forms suggest an aim for reliable everyday use across digital and print contexts.

The italic angle is strong enough to add momentum without becoming calligraphic, keeping the texture uniform across mixed-case settings. Punctuation and curves remain restrained, giving paragraphs a tidy, controlled appearance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸