Sans Superellipse Yipi 15 is a very bold, very wide, high contrast, italic, tall x-height font visually similar to '1312 Sugoi' by Ezequiel Filoni and 'Kreak Display' by Tebaltipis Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, game titles, tech branding, futuristic, sporty, aggressive, tech, industrial, speed, impact, modernism, branding, display, slanted, squared-round, compact counters, ink traps, notched.
A heavy, right-slanted sans with wide, superellipse-based construction: rounded-rectangle bowls, flattened curves, and strongly squared corners softened by large radii. Strokes are dense and dark, with frequent horizontal and diagonal cut-ins that create a segmented, notched look across bowls, joints, and terminals. Apertures are relatively tight and counters compact, while the overall silhouette stays clean and geometric. The numerals and uppercase follow the same blocky, streamlined language, with consistent angled terminals and deliberate incisions that add motion and reduce visual clumping.
Best suited to large-format display use where the notches and squared-round geometry can read clearly: headlines, posters, esports and sports identities, game title screens, product marks, and punchy social graphics. It also works for short UI labels or interface-style callouts when set generously and kept brief.
The design reads fast and forceful—more speedstripe than calligraphic—evoking motorsport, sci‑fi interfaces, and high-impact action branding. Its slant and carved-in details give it a forward-driving, competitive tone with a distinctly engineered feel.
The letterforms appear designed to combine a geometric, rounded-rectangle skeleton with aggressive, speed-oriented detailing. The consistent slant, compact interiors, and repeated cut-ins suggest an intention to signal motion and modernity while maintaining a sturdy, engineered presence.
The recurring internal cut-lines are a defining motif, appearing on many glyphs as a horizontal or slightly angled notch that reinforces rhythm and cohesion. Spacing in the samples supports dense setting, but the built-in segmentation can make small sizes feel busy, especially where counters are already narrow.