Sans Superellipse Omgad 15 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Protrakt Variable' by Arkitype, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, signage, ui labels, posters, packaging, modern, technical, industrial, confident, utilitarian, impact, clarity, systematic, branding, rounded corners, boxy, squared bowls, closed apertures, compact.
A sturdy sans with a squared, superelliptical construction: curves resolve into rounded rectangles, and counters tend to be squarish and compact. Strokes are even and heavy, producing a dense, high-ink silhouette with minimal contrast. Terminals are generally blunt with softened corners, and many joins feel engineered and deliberate rather than calligraphic. Overall spacing reads slightly tight and efficient, reinforcing a strong, blocky rhythm across words and lines.
Best suited to display contexts where strong presence and quick recognition matter, such as headlines, posters, signage, and packaging. The compact, rounded-rect forms also work well for interface labels and dashboard-style typography, especially where a technical, contemporary voice is desired. For longer text, it will create a very dark, assertive color that may be most effective at larger sizes.
The tone is modern and no-nonsense, with an industrial, systems-oriented character. Its rounded-rect geometry adds approachability while keeping a disciplined, technical feel. The heavy presence communicates confidence and impact, leaning more functional than expressive.
The design appears intended to deliver a contemporary, engineered sans built from rounded-rectangle primitives, prioritizing solidity and consistency. Its heavy, uniform strokes and compact counters suggest a focus on impact and clarity in short-form reading rather than delicate nuance. The softened corners aim to balance the industrial structure with a more approachable finish.
Distinctive superelliptical rounds show up in letters like C, O, D, and G, where the forms feel more like rounded boxes than circles. The numerals share the same sturdy geometry, with compact interiors and softened corners that keep the set visually consistent. The overall texture in paragraphs is dark and uniform, with strong vertical emphasis and clear, schematic shapes.