Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Normal Bimad 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Shelf' by 21Type, 'Kardinal' by Ani Dimitrova, 'Whitney' by Hoefler & Co., 'Achates' by Karandash, 'TheSans' by LucasFonts, 'Tipperary eText' by Monotype, and 'Cielo' by Wilton Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, ui labels, signage, friendly, modern, confident, approachable, practical, clarity, impact, approachability, simplicity, versatility, rounded, soft terminals, closed apertures, compact spacing, geometric.


Free for commercial use
Customize the font name

A compact, heavy sans with rounded geometry and softly finished terminals. Strokes are uniform and steady, with broad curves in O/C/G and sturdy verticals that keep the texture even in dense settings. Counters are relatively tight and many apertures read on the closed side, producing a solid, blocky silhouette. The lowercase shows a single-storey a and g, a short, robust t, and a simple r with a restrained shoulder; numerals are similarly weighty with rounded corners and consistent stroke widths.

Best suited to headlines, posters, branding systems, and short UI labels where a solid, friendly voice is needed. It can also work for signage or packaging callouts thanks to its sturdy shapes and even texture, especially when set with comfortable tracking.

The overall tone is friendly and contemporary, combining softness from rounded forms with a firm, no-nonsense weight. It feels approachable and informal without turning playful or quirky, giving headlines a straightforward confidence.

The letterforms suggest an intention to provide a modern, approachable sans optimized for impact: dense, rounded, and highly legible in short bursts. Its consistent construction and restrained detailing point toward broad, everyday use rather than expressive ornament.

The design’s compact internal space and strong stroke presence create high impact at display sizes, while the dense color can make fine differentiation between similar shapes more dependent on context. Round characters (o, e, c) stay very circular, and diagonals (v, w, y) are wide and stable, reinforcing a sturdy rhythm across words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸