Sans Normal Abdid 5 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Frutiger', 'Neue Frutiger', 'Neue Frutiger 1450', 'Neue Frutiger Cyrillic', 'Neue Frutiger Hebrew', 'Neue Frutiger Paneuropean', 'Neue Frutiger Thai', and 'Neue Frutiger Vietnamese' by Linotype and 'Neue Frutiger World' by Monotype (names referenced only for comparison).
Keywords: ui text, captions, signage, editorial emphasis, branding, modern, clean, dynamic, technical, streamlined, italic voice, clarity, modern utility, emphasis, oblique, geometric, monoline, crisp, open.
A slanted sans with monoline strokes and smooth, geometric curves. The design keeps counters open and shapes simplified, with round forms that read as circular/elliptical and terminals that feel clean and unadorned. Uppercase proportions are tidy and stable while the lowercase carries an easy, forward-leaning rhythm; overall spacing appears even and the texture stays consistent across letters and numerals.
This font suits interface labels, captions, and informational typography where a clean italic is needed without sacrificing legibility. It also works well for signage and wayfinding, as well as for editorial callouts, pull quotes, and brand systems that want a streamlined, contemporary slanted sans.
The italic angle and restrained detailing create a sense of motion and efficiency, giving the face a contemporary, purposeful tone. Its clarity and lack of ornamentation lend it a neutral, professional voice that can feel both modern and slightly technical.
The design appears intended to provide a versatile italic companion or primary italic voice with a modern geometric feel, prioritizing clarity and consistent rhythm over decorative character. Its forward slant suggests use for emphasis and motion while keeping letterforms simple and highly readable.
In text, the slant is pronounced enough to read as intentional emphasis rather than a mild oblique, helping it stand out for highlights and short blocks. Numerals appear straightforward and legible, matching the same clean, geometric construction as the letters.