Sans Normal Hebiy 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Avenir Next', 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Georgian', 'Avenir Next Hebrew', 'Avenir Next Paneuropean', 'Avenir Next Rounded', 'Avenir Next Thai', and 'Avenir Next World' by Linotype (names referenced only for comparison).
Keywords: ui text, app branding, editorial, posters, signage, friendly, clean, approachable, modern, playful, friendliness, clarity, modernity, simplicity, rounded, soft, geometric, monoline, open apertures.
A rounded, geometric sans with monoline strokes and consistently softened terminals throughout. Curves are smooth and near-circular in letters like O and C, while straight strokes keep a calm, even rhythm. Corners and joins are gently eased rather than sharp, giving forms like E, F, and T a soft, contemporary finish. Lowercase characters show simple, single-storey constructions (notably a and g), with open counters and clear spacing that reads cleanly in continuous text. Numerals follow the same rounded logic, with uniform stroke weight and uncomplicated silhouettes.
This style works well for interface copy and product UI where a warm, clean sans is needed, and it also suits brand identities aiming for a modern, approachable feel. The rounded geometry and steady texture can scale effectively for headings, posters, and wayfinding/signage, while the open lowercase shapes remain comfortable in short-to-medium reading settings.
The overall tone is friendly and contemporary, with a soft, welcoming voice that feels informal without turning into novelty. Rounded terminals and open shapes add a mild playfulness and an easygoing, approachable character suited to user-facing communication.
The design appears intended to blend geometric clarity with a softened, human-friendly finish. By keeping stroke weight consistent and rounding terminals and corners, it aims for high legibility and a calm, contemporary presence across display and text use.
Circular forms are prominent and consistent, and the design avoids calligraphic modulation in favor of steady, engineered curves. Diacritics are not shown; punctuation visible in the sample text matches the same rounded, monoline treatment, supporting a cohesive texture in paragraphs.