Sans Normal Afgad 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Aspira' by Durotype, 'Ninova' by Fontuma, 'Harmonia Sans' and 'Harmonia Sans Paneuropean' by Monotype, 'Infoma' by Stawix, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).
Keywords: user interfaces, editorial, branding, headlines, signage, modern, clean, dynamic, friendly, neutral, clarity, emphasis, versatility, modernity, utility, oblique, geometric, rounded, crisp, open.
A slanted sans with smooth, rounded construction and an even stroke that keeps contrast subtle across curves and diagonals. Letterforms lean consistently to the right, with tidy terminals and broadly open apertures that preserve clarity in text. Proportions feel balanced rather than condensed, with circular bowls (notably in o, e, and 0) and straightforward geometry throughout. The overall rhythm is steady and legible, with a slightly energetic forward motion from the oblique angle.
Works well for UI labels, product pages, and dashboards where an oblique sans can add emphasis while remaining clear. It also suits editorial callouts, subheads, and modern brand systems that want a clean, forward-leaning voice. At larger sizes it can carry headings and short statements effectively, while its open shapes support comfortable reading in moderate text lengths.
The tone is contemporary and pragmatic, reading as clean and approachable rather than formal. Its consistent slant adds motion and emphasis without becoming decorative, giving it a mildly sporty, editorial feel while staying neutral enough for everyday UI and branding.
Designed to deliver a modern sans voice with built-in emphasis via a consistent oblique posture. The construction prioritizes clean geometry, open counters, and even color to stay legible and versatile across both display and interface contexts.
Numerals are simple and highly readable, matching the rounded, geometric logic of the letters; the 0 is an oval form without internal differentiation. Curves and joins remain smooth at larger sizes, and the italic angle is strong enough to be clearly intentional while still suitable for paragraph settings.