Sans Normal Okmes 21 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'BD Megatoya' by Balibilly Design, 'FF Infra' by FontFont, 'CF Asty' by Fonts.GR, 'Live Grotesk' by Matt Chansky, 'Axiforma' by Monotype, and 'Eloquia' by Typekiln (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, confident, friendly, neutral, clean, clarity, impact, modernity, approachability, geometric, rounded, solid, high legibility, display-ready.
A sturdy sans with smooth, rounded construction and largely geometric curves paired with straight, clean terminals. Strokes are uniform and substantial, producing a dense, even color on the page and clear silhouettes. Counters are open and simple (notably in C, G, S, and e), and round letters lean toward near-circular bowls. The lowercase shows a two-storey a, a single-storey g with a broad ear, and a compact, functional rhythm that stays consistent across text. Numerals are straightforward and heavy, matching the overall mass and maintaining clarity at large sizes.
This font is well suited to headlines, posters, and branding where a strong, modern sans presence is needed. The heavy, clear letterforms also work for signage and short UI labels or buttons, especially when emphasis and quick recognition are priorities.
The overall tone is contemporary and dependable, with a friendly approachability coming from the rounded bowls and uncomplicated forms. Its strong weight and clean geometry give it a confident, no-nonsense voice suited to prominent messaging without feeling sharp or severe.
The design appears intended as a robust, contemporary sans that prioritizes clarity and impact through geometric proportions, rounded forms, and consistent stroke weight. It aims to deliver a friendly-but-firm voice that remains highly legible in prominent settings.
In running text, the font maintains a steady, blocky texture with little stroke modulation, making it feel solid and assertive. Round forms (O/Q/0) are generous, while diagonals (V/W/X/Y) stay crisp, helping the design balance softness and structure.