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Slab Contrasted Osbu 4 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'FF Marselis Slab' by FontFont, 'Orgon Slab' by Hoftype, 'Breve Slab Text' by Monotype, 'PF Centro Slab Press' by Parachute, 'Bree Serif' by TypeTogether, and 'Bommer Slab' by dooType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, poster, western, collegiate, industrial, assertive, impact, heritage, legibility, authority, blocky, bracketed, robust, compact, high-ink.


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This typeface is a heavy, blocky slab-serif with broad proportions and firmly bracketed serifs. Strokes are predominantly monolinear, with subtle shaping in curves and joins that keeps counters open despite the dense weight. Uppercase forms are sturdy and rectangular in rhythm, while the lowercase maintains a tall x-height and simplified, workmanlike constructions. Round letters (O, C, G, Q) are more squared-off than geometric, and the numerals match the overall mass with clear, sturdy silhouettes.

Best suited to display settings such as headlines, posters, and signage where maximum impact is needed. It can also work for bold branding, packaging, and labels that benefit from a sturdy, vintage-leaning slab-serif voice. For extended reading, it’s more appropriate for short bursts of text, pull quotes, or prominent callouts.

The overall tone is bold and no-nonsense, with a confident, print-forward presence. Its slab structure and wide stance suggest traditional American poster and sign lettering, leaning into a practical, rugged character rather than refinement. The weight and tight internal spaces create a strong, attention-grabbing voice.

The design appears intended to deliver high-impact typography with a classic slab-serif backbone, prioritizing solidity and legibility at larger sizes. Its proportions and bracketed slabs aim for a familiar, heritage-inspired feel while keeping forms straightforward and strongly readable.

In text, the heavy color forms a continuous, emphatic texture; spacing appears generous enough to prevent clogging at display sizes, though the dense weight will dominate in longer passages. The design reads especially well in headlines where the slab terminals and broad shapes can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸