Sans Superellipse Otkap 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'DIN Mittel EF' by Elsner+Flake, 'DIN Next' and 'DIN Next Devanagari' by Monotype, 'Nota' and 'NotaBene' by Wiescher Design, and 'Pulse JP' and 'Pulse JP Arabic' by jpFonts (names referenced only for comparison).
Keywords: headlines, branding, logos, packaging, ui labels, modern, friendly, solid, clean, techy, modern utility, friendly strength, geometric clarity, brand presence, rounded, geometric, compact, uniform, high-impact.
This is a heavy, geometric sans with rounded-rectangle (superellipse) construction in bowls and counters. Curves are broad and smooth, corners are softly squared, and strokes stay consistently thick with minimal modulation. Proportions feel compact and efficient: apertures are relatively tight, counters are rounded, and terminals are cleanly cut with minimal flare. Uppercase forms are sturdy and simplified, while lowercase maintains the same squared-round logic in letters like a, b, d, p, and q; the g appears single-storey with a broad, rounded bowl. Numerals are similarly robust and blocky, matching the letterforms closely in weight and corner treatment.
Well suited for headlines, brand wordmarks, and packaging where strong, rounded geometry helps create a memorable silhouette. It can also work effectively for UI labels, navigation, and product marketing typography where clarity and a friendly tech tone are desired. For longer passages, larger sizes and generous spacing will help maintain readability.
The overall tone is contemporary and approachable, with a confident, no-nonsense presence. The rounded geometry softens the heaviness, giving it a friendly, product-forward feel rather than an austere or formal one. It reads as pragmatic and modern, suited to interfaces and branding that want warmth without losing strength.
The design appears intended to deliver a sturdy, contemporary sans voice built from rounded-rectangular forms, balancing impact with approachability. Its consistent stroke weight and softened corners suggest a focus on modern digital and brand applications where a clean, geometric identity is important.
Round letters (C, G, O, Q) show a distinct squarish curvature that keeps silhouettes stable and avoids delicate joins. Diagonals (V, W, X, Y) are stout and wide, contributing to a dense, impactful rhythm. The tight apertures and heavy weight suggest best performance at display sizes or short bursts of text rather than long-form reading.