Sans Superellipse Okgid 5 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka and 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: ui design, product branding, signage, headlines, labels, modern, technical, clean, friendly, utilitarian, clarity, neutrality, modernity, robustness, monolinear, squared terminals, rounded corners, geometric, compact joins.
The letterforms are built from softened corners and superelliptic curves, producing rounded-square bowls and counters. Strokes are monolinear and consistent, with squared terminals and compact joins that keep the texture even. Proportions favor a large x-height and relatively short extenders, contributing to a sturdy, contemporary rhythm; round letters like O/Q are more rounded-rect than circular, and the overall silhouette leans geometric with engineered softness.
Well-suited for user interfaces, product branding, dashboards, and wayfinding where a modern, friendly technical feel is desired. It also works well for headings, short paragraphs, labels, and data-rich layouts thanks to its sturdy shapes and even texture. The rounded-square geometry can add character to packaging or tech-forward marketing without becoming overly stylized.
This typeface conveys a clean, pragmatic tone with a subtle tech-industrial edge. Its rounded-rect geometry feels friendly and approachable, while the firm, squared terminals keep it disciplined and modern. Overall it reads as confident and utilitarian rather than expressive or calligraphic.
The design appears intended to deliver a neutral, contemporary sans voice that stays legible and stable across sizes while still feeling distinctive through its rounded-rectangle construction. The consistent stroke and squared finishing suggest an emphasis on clear rendering, predictable spacing, and a pragmatic, product-oriented tone.
Several forms emphasize the rounded-rect motif: bowls tend to look squarish with softened corners, and curves transition into straighter segments rather than staying fully circular. Numerals appear designed for consistency and quick recognition, matching the same geometric, squared-terminal logic as the letters.