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Free for Commercial Use

Sans Normal Komol 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cadmium' by AVP, 'Aspira' by Durotype, 'Plasto' by Eko Bimantara, 'Supria Sans Condensed' by HVD Fonts, 'Whitney' by Hoefler & Co., 'Ordina' by Schriftlabor, 'Jasan' by Storm Type Foundry, and 'Adelle Sans' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, modern, friendly, dynamic, impact, momentum, approachability, clarity, modernity, rounded, slanted, soft, chunky, clean.


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A heavy, forward-slanted sans with rounded, built-up strokes and smooth joins. Curves are full and open, with softened terminals and a generally geometric, ellipse-driven construction that stays consistent across caps, lowercase, and figures. The lowercase keeps a compact, readable silhouette with single-storey forms and simple counters, while capitals are broad and steady with minimal modulation. Numerals follow the same rounded, substantial rhythm, with clear shapes and sturdy proportions that hold up well at display sizes.

It performs best in short to medium display settings where its strong presence and slanted rhythm can carry a message—headlines, posters, packaging, and brand marks. The friendly rounded construction also fits casual product branding and sports or lifestyle graphics where an energetic, modern tone is desired.

The overall tone is energetic and contemporary, with a sporty, fast-moving slant that suggests motion and confidence. Rounded forms keep it approachable rather than severe, giving it a friendly, upbeat voice suited to modern branding and lively headlines.

The design appears intended as a high-impact italic sans that communicates speed and confidence while staying approachable through rounded, geometric forms. It prioritizes a consistent, solid texture and clear silhouettes for attention-grabbing typography in contemporary visual systems.

Spacing and letterfit feel designed for impact: the dark texture is even and the italic angle is assertive without becoming calligraphic. The construction favors clarity over ornament, relying on weight, slant, and rounded geometry to create character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸