Sans Faceted Yija 3 is a very bold, very wide, high contrast, italic, normal x-height font visually similar to 'Logopedia Next', 'Logopedia Next Rounded', and 'Logopedia Now Rounded' by Bülent Yüksel (names referenced only for comparison).
Keywords: headlines, sports branding, posters, gaming, logos, futuristic, aggressive, sporty, techno, industrial, impact, motion, sci-fi, machine-like, branding, angular, faceted, slanted, blocky, compressed counters.
This typeface uses sharply faceted, planar strokes in place of curves, producing a chiseled, polygonal construction across both cases and figures. The forms are strongly slanted with a forward-leaning stance, and many terminals are cut on hard angles, creating pointed joins and wedge-like corners. Counters tend to be tight and geometric, with small apertures and squared-off interior shapes that emphasize a dense, mechanical rhythm. Strokes show pronounced modulation driven by the faceting, with thick slabs interrupted by thin cuts and notches that read as deliberate bevels rather than smooth curves.
Best suited to display settings such as headlines, posters, event graphics, and identity marks where the faceted detailing can be appreciated. It can work well for sports and gaming branding, tech or sci-fi themed packaging, and short, punchy UI labels where a sense of speed and impact is desired.
The overall tone is fast, forceful, and futuristic, with a motorsport/industrial energy. The sharp cuts and forward slant convey motion and intensity, while the angular geometry suggests tech hardware, sci-fi interfaces, and performance branding.
The design appears intended to translate a streamlined, high-performance aesthetic into a sans structure, using bevel cuts and angular facets to imply machined surfaces and forward motion. Its consistency across cases suggests a focus on strong display presence and a recognizable, branded texture.
In text, the repeated bevel cuts create a distinctive texture that can become visually busy at smaller sizes, especially where thin interior cuts and tight counters stack up across lines. The numerals and uppercase share the same beveled logic, helping headlines feel cohesive and engineered.