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Free for Commercial Use

Serif Other Ipte 5 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, editorial, magazines, branding, packaging, fashion, classic, dramatic, refined, add drama, signal luxury, editorial voice, stylized classic, bracketed, flared, calligraphic, teardrop terminals, sculptural.


Free for commercial use
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This serif design shows pronounced thick–thin modulation with crisp hairlines and weighty vertical stems, creating a strongly sculpted rhythm. Serifs are bracketed and often flare into tapered, wedge-like forms, with several characters featuring teardrop or ball-like terminals (notably on diagonals and curves) that add a decorative, calligraphic finish. Proportions are slightly condensed in the capitals with broad, confident curves in rounds like O and Q, while the lowercase mixes sturdy stems with lively entry/exit strokes; counters remain relatively open despite the contrast. Numerals follow the same high-contrast logic, with elegant curves and sharp, triangular finishing strokes.

Best suited to headlines, pull quotes, and editorial typography where its contrast and distinctive terminals can be appreciated at larger sizes. It can also work well for premium branding and packaging, especially for beauty, fashion, and boutique products, while longer passages may benefit from generous size and leading to preserve clarity.

The overall tone is polished and theatrical, balancing traditional bookish authority with a fashion-forward, display-oriented elegance. Its sharp contrast and ornamental terminals give it a sense of luxury and drama, while the underlying serif structure keeps it grounded and formal.

The design appears intended to reinterpret a classic high-contrast serif through more sculptural, calligraphic terminals and flared details, producing a refined display face that reads as traditional yet unmistakably stylized.

In text settings the font maintains a strong vertical cadence, with noticeable sparkle from the thin hairlines and pointed terminals. Some glyphs introduce expressive asymmetry (such as the Q tail and diagonal strokes in K, V, W, and X), which reinforces its decorative character without abandoning typographic discipline.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸