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Sans Superellipse Pynab 2 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Cantiga' by Isaco Type, 'CamingoDos Condensed' by Jan Fromm, 'Klint' by Linotype, and 'Morandi' by Monotype (names referenced only for comparison).

Keywords: ui text, app design, wayfinding, data tables, captions, clean, modern, neutral, efficient, technical, clarity, space saving, systematic, interface readiness, neutrality, compact, rounded corners, open apertures, uniform strokes, crisp terminals.


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This typeface presents compact, upright letterforms with uniform stroke weight and rounded-rectangle curvature in bowls and counters. Curves resolve into slightly squared, superellipse-like forms, giving round letters a controlled, engineered feel rather than fully circular geometry. Terminals are clean and largely straight, with minimal modulation, and spacing feels tight and orderly, supporting a dense text color. The lowercase shows straightforward constructions with clear differentiation between similar shapes, while numerals are simple and sturdy with consistent proportions.

It suits interface typography and product design where a compact, orderly texture is helpful, such as navigation labels, dashboards, and dense data tables. The steady rhythm also works well for captions and informational layouts where legibility and consistency matter more than expressiveness.

The overall tone is modern and pragmatic, with a quietly technical character. Its controlled roundedness reads friendly enough for interfaces while remaining restrained and businesslike, avoiding overt personality or decorative flourish.

The design appears intended to provide a clear, space-efficient sans for contemporary reading contexts, combining clean construction with gently squared curves to keep forms distinct and systematic. The rounded-rectangle geometry suggests an emphasis on consistency across letters and a calm, utilitarian presence in continuous text.

Round characters maintain a subtly squared interior rhythm, and the overall silhouette stays compact, producing a stable, uniform texture in paragraphs. The glyphs appear designed for clarity at small to medium sizes, with simplified joins and no fussy details.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸