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Sans Normal Udmed 5 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Magnat' and 'Neue Magnat Text' by René Bieder and 'Mumford' by fragTYPE (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, modern, assertive, clean, friendly, straightforward, impact, clarity, modern utility, brand voice, display strength, geometric, rounded, blocky, high-clarity, compact bowls.


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This typeface presents a sturdy, geometric sans construction with broad, round counters and clean, unbracketed terminals. Curves are smooth and near-circular in letters like O, C, and G, while straight strokes stay crisp and vertical, producing a steady, contemporary texture. Uppercase forms are wide and stable with simple joins and minimal modulation, and the lowercase shows compact bowls and clear apertures (notably in e, a, and s). Numerals follow the same robust geometry, with simple, legible silhouettes and consistent stroke presence across curved and straight elements.

It performs especially well in headlines, posters, and branding where a strong, contemporary sans presence is desired. The clear geometry and sturdy forms make it suitable for signage and packaging that needs quick recognition at a glance. It can also work for short UI labels or callouts when a prominent, high-impact tone is appropriate.

The overall tone feels modern and confident, with a direct, no-nonsense voice suited to bold messaging. Its rounded geometry keeps the impression approachable rather than harsh, balancing strength with friendliness. The rhythm reads clean and contemporary, evoking straightforward utility with a polished, commercial finish.

The design appears intended to deliver a dependable, modern sans voice with strong impact and straightforward legibility. Its geometric rounding and clean terminals suggest an aim for versatile commercial use—confident in display settings while remaining clear and functional in short text.

At large sizes the dense stroke weight and broad proportions create strong word shapes and a solid page color, making the font visually prominent. Round forms remain smooth and consistent across the set, while angular letters (like K, V, W, and X) keep sharp diagonals that add energy to headlines. The lowercase maintains a practical, readable structure with clear differentiation between similar shapes (for example i/l and o/0 in context).

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸