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Sans Superellipse Igwo 9 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, bold, industrial, athletic, retro, poster-ready, impact, sturdiness, clarity, cohesion, blocky, rounded, compact, sturdy, high-impact.


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A heavy, compact sans with rounded-rectangle construction and softened corners throughout. Curves resolve into superelliptical bowls and counters, while joins and terminals stay blunt and squared-off, creating a solid, stamped silhouette. Stroke widths are consistently hefty with only subtle modulation, and apertures are generally tight, giving the face a dense, powerful texture. Uppercase forms are broad-shouldered and block-like; lowercase keeps a tall x-height with simple, utilitarian shapes, and numerals follow the same rounded-rect geometry for a cohesive set.

Best suited for headlines and short-form copy where strong typographic presence is needed, such as posters, promotional graphics, packaging, and brand wordmarks. It also fits athletic and industrial contexts—team identities, apparel graphics, and signage—where a sturdy, high-impact voice is desirable.

The overall tone is forceful and utilitarian, with a sporty, headline-driven energy. Its rounded corners keep the weight from feeling harsh, suggesting a confident, industrial friendliness rather than sharp aggression. The rhythm reads as retro-leaning and workmanlike, suited to bold messaging where clarity and impact matter most.

The design appears intended to deliver maximum visual weight with a clean, modern construction, using rounded-rectangle anatomy to keep forms cohesive and contemporary. It prioritizes punchy readability and a consistent, blocky rhythm that holds up well in large-scale applications.

Spacing appears intentionally compact, which increases mass and makes lines feel packed and assertive. The superelliptical counters help maintain legibility at large sizes, though the tight openings and heavy color will naturally emphasize display use over small text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸