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Sans Superellipse Ibgej 8 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Bhelt' by Fateh.Lab; 'Maken' by Graphicxell; 'Tusker Grotesk' by Lewis McGuffie Type; 'Cimo', 'Sharp Grotesk Latin', and 'Sharp Grotesk Paneuropean' by Monotype; 'Fixture' by Sudtipos; and 'Pandora' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, retro, assertive, sporty, poster-ready, max impact, space efficiency, retro display, bold branding, blocky, condensed feel, squarish rounds, high impact, compact counters.


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A heavy, compact sans with rounded-rectangle construction and squared-off curves throughout. Strokes are thick and even, with tight internal counters and a generally tall lowercase structure that keeps the rhythm dense. Curves on letters like C, O, and S read as superelliptical rather than circular, and many joins are blunt and vertical, reinforcing a blocky silhouette. The lowercase shows simplified, sturdy forms with minimal modulation, while numerals are similarly chunky and tightly spaced in feel, optimized for strong, uniform color.

Best suited to bold headlines, posters, event graphics, and sports or streetwear-style branding where impact is the priority. It can work for short subheads and labels on packaging or signage, particularly when set with generous tracking and ample size to preserve interior clarity.

The overall tone is forceful and utilitarian, with a vintage, sign-paint and athletic-poster energy. Its compressed, high-ink shapes project confidence and urgency, making text feel loud and direct rather than delicate or editorial.

The design appears intended to deliver maximum visual punch through dense, squared-round forms and a uniform heavy stroke, echoing industrial and retro display traditions. Its tall lowercase and compact counters suggest a goal of fitting emphatic wording into limited space while maintaining a consistent, blocky texture.

Because counters and apertures are relatively small, the design favors larger sizes where the rounded-rect geometry and tight detailing stay clear. The superelliptical curves and vertical terminals create a consistent, engineered texture across lines, especially in all-caps settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸