Solid Idri 13 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio, 'Klop' by Invasi Studio, 'Bourton Hand' by Kimmy Design, 'MVB Diazo' by MVB, and 'HARBER' by bb-bureau (names referenced only for comparison).
Keywords: posters, headlines, kids, comics, stickers, playful, goofy, chunky, cartoon, handmade, fun impact, handmade charm, bold silhouette, cartoon flavor, rounded, blobby, organic, soft, bouncy.
A heavy, rounded display face built from thick, blobby strokes with an intentionally uneven, hand-formed silhouette. Terminals are soft and bulbous, counters are small and often partially closed, and curves dominate over straight edges, creating a compact, “puddled ink” texture. Proportions vary noticeably from glyph to glyph, with a slightly wobbly rhythm and irregular joins that read as deliberately imperfect rather than geometric. Numerals and lowercase follow the same inflated, solid approach, maintaining a dense, black presence at text sizes.
Well-suited to short, high-impact display settings such as posters, headlines, packaging callouts, stickers, and playful branding. It also fits children’s media, comic-style graphics, and informal event promotions where a bold, friendly voice is desirable. For longer passages, it’s likely to work best in brief bursts or as accents paired with a more neutral text font.
The overall tone is playful and comedic, with a friendly, kidlike energy and a craft-made spontaneity. Its lumpy forms and tight interior spaces feel more like cartoon lettering or stamped paint than conventional typesetting, giving it an informal, mischievous personality.
The design appears intended to maximize immediacy and character through an oversized, soft-edged silhouette and irregular, hand-drawn construction. It prioritizes a fun, tactile look over precision, aiming for bold readability and a distinctive cartoon-like texture.
Because the counters are tight and sometimes collapse, the face creates strong silhouette recognition rather than crisp interior detail; spacing and word shapes tend to look bouncy and irregular. It performs best when allowed generous size and breathing room so the rounded shapes don’t visually clump together.