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Sans Other Lyge 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Allotrope' by Kostic, 'Akko' by Linotype, 'Antry Sans' by Mans Greback, and 'Amsi Pro' and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, children’s media, playful, handmade, chunky, retro, friendly, friendly impact, handmade look, display texture, retro novelty, rounded corners, soft edges, blobby, irregular, compact.


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A heavy, compact sans with softly rounded corners and intentionally uneven contours. Strokes are thick and mostly monoline, with slight wobble and subtle edge irregularities that suggest hand-cut or stamped shapes rather than precise geometry. Counters are small and rounded, apertures tend to be tight, and terminals are blunt, producing dense letterforms with a bouncy, slightly condensed rhythm. Lowercase forms keep a straightforward, upright structure, while the numerals match the same chunky, softened silhouette for consistent color in text.

Best suited to short, bold statements such as posters, headlines, event graphics, and playful branding. It also fits packaging, labels, and social graphics where a friendly, handmade feel helps the message stand out. For extended text, it works more comfortably in larger sizes with added spacing.

The overall tone is playful and approachable, with a casual handmade character that reads as humorous and slightly retro. Its soft, blobby shapes create warmth and informality, leaning toward poster and novelty aesthetics rather than neutral editorial seriousness.

This design appears intended to deliver maximum impact with a friendly, handcrafted personality, using thick monoline strokes and softened geometry to create a stamped, cutout-like presence. It prioritizes texture and charm over strict regularity, making it a strong choice for expressive display typography.

Because the internal spaces are tight and the weight is high, the face builds strong visual mass and can feel dark in longer passages; it benefits from generous tracking and line spacing. The irregular outlines add texture at display sizes and can introduce a mild “inked” effect when used small or tightly set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸