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Free for Commercial Use

Sans Faceted Ufdu 13 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'FF Oxide Solid' by FontFont, 'KP Duty JNL' by Jeff Levine, 'Evanston Alehouse' and 'Evanston Tavern' by Kimmy Design, 'Gemsbuck Pro' by Studio Fat Cat, 'Paz' by Sudtipos, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, sports branding, industrial, sporty, tech, futuristic, assertive, impact, precision, machined look, modern display, signage strength, angular, chamfered, octagonal, blocky, geometric.


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A heavy, block-built sans with sharp chamfered corners and faceted terminals that replace most curves with short straight segments. Strokes stay largely uniform, producing a dense, monoline texture, while counters and apertures tend toward rectangular and octagonal shapes. The overall fit is generous and stable, with squared shoulders, abrupt joins, and diagonals that feel mechanically cut rather than drawn. Numerals follow the same octagonal logic, reading like signage-friendly forms with clipped corners and compact interior spaces.

Best suited to short, high-impact settings such as headlines, posters, team or event branding, packaging, and bold UI/overlay labels. It can also work for wayfinding-style titling where strong silhouettes and crisp angles are desirable, especially when set with ample size and spacing.

The faceted geometry and high-contrast silhouette give the font an engineered, no-nonsense voice that feels modern and performance-driven. Its hard corners and sturdy proportions project strength and precision, evoking athletic branding, industrial labeling, and sci‑fi interface typography.

The design appears intended to translate a faceted, machined aesthetic into a robust display sans—prioritizing sharp planar cuts, consistent stroke weight, and strong, easily recognized silhouettes for branding and titling applications.

At larger sizes the chamfers become a defining detail and help differentiate similar shapes, while at smaller sizes the tight counters and rigid geometry may reduce clarity in long passages. The style remains consistent across uppercase, lowercase, and figures, creating a uniform, modular rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸