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Free for Commercial Use

Sans Normal Ragud 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Acumin' and 'Oso Sans' by Adobe, 'Carnas' and 'Epoca Pro' by Hoftype, 'Brignell Square' by IB TYPE Inc., and 'PF Adamant Sans Pro' by Parachute (names referenced only for comparison).

Keywords: headlines, branding, packaging, signage, ui labels, friendly, confident, modern, approachable, clean, friendly modernity, clear messaging, brand versatility, softened geometry, rounded corners, soft terminals, compact, geometric, high legibility.


Free for commercial use
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A heavy, rounded sans with soft corners and smooth, even strokes. The shapes lean geometric, with broad circular bowls (O, Q, 0, 8) and gently squared curves that keep counters open and stable. Terminals are mostly blunt and softened rather than sharply cut, giving letters a sturdy, compact silhouette. Lowercase forms are straightforward and readable, with single-storey a and g, a rounded-shoulder n/m rhythm, and a small, simple i/j dot. Numerals are robust and clear, with wide curves and minimal detailing.

Works well for headlines, logos, and brand systems that need a sturdy, welcoming sans voice. The rounded construction and open counters also make it effective for packaging, signage, and prominent UI text such as buttons, labels, and navigation where quick recognition matters.

The overall tone is friendly and contemporary, combining a solid, confident weight with softened edges that feel approachable rather than aggressive. It reads as practical and upbeat, suited to clear messaging where warmth and simplicity are desired.

Likely designed to deliver a modern, geometric sans look with softened edges for a more personable feel. The emphasis appears to be on clarity and consistency across characters, creating a dependable display-and-interface style that remains inviting.

The face maintains consistent curvature and corner rounding across caps, lowercase, and figures, producing a cohesive texture in paragraph settings. Wide internal counters and uncomplicated joins help the design stay legible at a range of sizes, especially in headings and short blocks of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸