Sans Contrasted Legak 3 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Antipol' by phospho (names referenced only for comparison).
Keywords: branding, ui design, editorial, headlines, packaging, clean, modern, friendly, crisp, technical, modern versatility, brand character, clarity, geometric, rounded, open counters, flared terminals, taut curves.
This sans shows a clean, mostly geometric construction with rounded bowls and open counters, paired with selective stroke modulation that adds a slightly calligraphic tension to otherwise straightforward forms. Curves are smooth and broadly drawn (notably in O/C/G and the lowercase rounds), while joins and diagonals stay crisp and linear, creating a tidy rhythm. Terminals often finish with subtle flares or angled cuts, giving letters like a, t, y, and k a distinctive, lightly engineered snap. Figures are simple and legible, with clear, modern shapes and consistent spacing that reads evenly in both caps and lowercase.
This design suits contemporary branding systems, product and packaging typography, and UI or interface contexts where clarity and a modern tone are desired. Its balanced proportions and open shapes also make it a strong option for editorial headings and short to medium-length text where a bit of built-in personality helps establish hierarchy.
The overall tone is contemporary and approachable, balancing a rational, design-forward feel with gentle softness from the rounded geometry. The controlled contrast and slightly expressive terminals add personality without pushing into decorative territory, keeping the voice calm, confident, and current.
The font appears intended to deliver a versatile, modern sans with a touch of contrast-driven character—combining geometric cleanliness with subtle modulation and distinctive terminals to stand out in branding and display settings while remaining broadly readable.
Uppercase forms are steady and compact, while the lowercase introduces more character through single-storey a and g, a curved-descender y, and a t with a clean, minimal cross treatment. The G’s horizontal bar and the Q’s tail are handled in a restrained, modern way, reinforcing a purposeful, constructed aesthetic.