Sans Superellipse Hidoy 11 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Miura' by DSType, 'FF Clan' by FontFont, 'Muller Next' by Fontfabric, and 'Allotrope' by Kostic (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, assertive, industrial, compact, retro, utilitarian, space saving, high impact, display clarity, geometric tone, brand voice, condensed, blocky, squared, rounded corners.
A condensed, heavy sans with squared, superellipse-like counters and broadly rounded corners. Strokes are thick and largely uniform, producing a dense, poster-friendly texture with minimal internal whitespace. Curves resolve into rounded-rectangle forms rather than true circles, and joins feel sturdy and engineered. The lowercase maintains a tall, compact silhouette with short extenders, while caps and numerals share a tight, upright rhythm and a consistent, blocky footprint.
Well suited to headlines, short statements, labels, and display typography where space is limited but impact is required. It can work effectively for signage, packaging, and bold brand marks, particularly in stacked or condensed layouts. For extended text, it benefits from larger sizes and generous spacing to preserve clarity.
The overall tone is forceful and no-nonsense, with a retro-industrial flavor that reads as practical and attention-grabbing. Its compactness and heavy mass give it an urgent, signage-like presence, favoring impact over delicacy.
Likely designed to deliver maximum visual punch in a compact width, using rounded-rectangular geometry to keep the forms friendly while retaining a strong, industrial solidity. The consistent stroke weight and tight counters suggest a focus on high-impact display settings and space-efficient typographic hierarchy.
The narrow proportions and tight counters create strong vertical emphasis and a cohesive dark color in text. The geometric rounding keeps the weight from feeling sharp, but the dense shapes mean it performs best when given sufficient size or tracking, especially in longer lines.