Slab Contrasted Ibme 4 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Publica Slab' by FaceType, 'Glance Slab' by Identity Letters, 'Peckham' by Los Andes, 'Choplin' by René Bieder, 'Pepi/Rudi' by Suitcase Type Foundry, and 'Kettering 105' by Talbot Type (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, editorial display, retro, sporty, punchy, confident, headline, attention grab, dynamic emphasis, retro display, bold branding, chunky, bracketed, blocky, energetic, sturdy.
A heavy, forward-leaning slab serif with broad proportions and compact, blocky counters. The serifs are thick and firmly attached, often with noticeable bracketing and angled terminals that reinforce the italic slant. Curves are generous and round (notably in C, O, Q, and the lowercase bowls), while joins and shoulders stay muscular, creating a dense, high-impact texture. Numerals and capitals read as sturdy and poster-like, with the overall rhythm driven by wide forms and assertive slab endings.
Best suited to display settings where impact matters: posters, big headlines, sports and event branding, and bold packaging callouts. It can also work for short editorial bursts—decks, pull quotes, and section openers—where its dense texture and slanted emphasis add momentum without requiring fine detail.
The tone is bold and energetic, suggesting vintage advertising and athletic graphics. Its strong slabbing and pronounced slant give it a sense of motion and confidence, making text feel emphatic and attention-grabbing rather than quiet or delicate.
The design appears intended to deliver a classic, slab-serif authority with added speed and personality through a built-in italic slant. It prioritizes punchy readability at larger sizes, combining sturdy slabs and rounded forms to evoke a retro-meets-athletic display voice.
The italic construction appears integral to the design rather than an oblique; many glyphs show shaped terminals and angled serif geometry that maintain consistency across cases. The lowercase has a rounded, approachable feel, while the uppercase remains more monumental and sign-like, creating a lively headline-to-subhead contrast when mixed.