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Serif Other Suro 9 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Kiattiyot' by Jipatype, 'Hype vol 2' by Positype, 'Beachwood' by Swell Type, and 'Headlines' by TypeThis!Studio (names referenced only for comparison).

Keywords: headlines, posters, sports branding, titles, logo marks, sporty, assertive, retro, cinematic, industrial, impact, speed, display, branding, poster, condensed, oblique, wedge serifs, ink traps, angular.


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A condensed, heavy oblique serif with crisp, angular construction and minimal stroke modulation. The design uses wedge-like, triangular serifs and sharply cut terminals, producing a faceted, engineered look rather than a calligraphic one. Counters are compact and often squarish/rounded-rect, with tight apertures and a strong, forward-leaning rhythm. Several joins and inside corners show small cut-ins (ink-trap-like notches), helping keep shapes open at bold sizes and reinforcing the mechanical, punched-in detailing.

Best suited to short, high-impact settings such as headlines, event posters, sports and motorsport-themed branding, and title treatments where the oblique drive and sharp serifs can read as intentional attitude. It can also work for bold logo marks or packaging callouts when used at sizes that preserve the interior cut details and tight counters.

The overall tone is forceful and fast, with a competitive, high-impact energy. Its slanted stance and hard-edged serifs evoke retro display typography seen in sports branding and action-oriented poster work. The look reads confident and slightly aggressive, prioritizing punch and momentum over softness.

The design appears intended as a display serif that blends traditional serif cues with a modern, machined geometry. Its condensed proportions, aggressive slant, and chiseled terminals suggest a focus on speed, strength, and high-contrast messaging for branding and titling contexts.

Capitals feel tall and blocky with consistent slant and compact spacing, while lowercase maintains the same squared-off, industrial logic. Numerals are similarly robust and condensed, matching the uppercase weight and angle for cohesive headline setting. The italic is not merely a slant; the cuts and terminals are shaped to emphasize speed and directionality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸