Sans Superellipse Utliv 10 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, signage, posters, product design, futuristic, techy, clean, geometric, space-age, modernization, tech signaling, clarity, distinctiveness, rounded, squared, soft corners, stencil-like, modular.
A rounded, squared-off sans with a superelliptical construction: bowls and counters read as rounded rectangles, and corners are consistently softened. Strokes are largely even and monolinear, with broad, open apertures and generous interior space in letters like O, D, and P. Many joins and terminals are cut with straight, horizontal/vertical faces, producing a subtly modular, engineered feel; several characters show deliberate breaks or notches (notably in S, Z, and some diagonals), lending a lightly stencil-like rhythm. Uppercase forms are wide and stable, while lowercase maintains a compact, functional build with a single-storey a and g and a simple, straight-stemmed t.
Well-suited to technology and product contexts where a clean, contemporary voice is needed—UI labels, app/OS styling, dashboards, wayfinding, and equipment markings. Its wide, open forms and distinctive cuts also make it effective for headlines, posters, and brand wordmarks that aim for a futuristic, engineered look.
The overall tone is modern and technical, with a slightly sci‑fi, interface-oriented personality. Its rounded geometry keeps the feel approachable, while the squared curves and occasional cut-ins add a precise, manufactured edge.
The design appears intended to translate rounded-rectangle geometry into a practical sans for contemporary display and interface use, prioritizing consistent curvature, clarity, and a recognizable sci‑fi flavor without becoming overly decorative.
Numerals follow the same rounded-rectangle logic and read clearly at display sizes; the slashed zero is prominent and purposefully styled. Diagonal letters (K, V, W, X, Y) balance the soft-cornered system with sharper directional strokes, reinforcing the font’s geometric consistency.