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Free for Commercial Use

Sans Superellipse Idran 11 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Gusto Black' by BA Graphics, 'PODIUM Soft' by Machalski, 'Reznik' by The Northern Block, 'Breuer Headline' by TypeTrust, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, sports, assertive, retro, compact, maximum impact, distance legibility, sturdy geometry, friendly toughness, blocky, rounded corners, squared bowls, tight apertures, high impact.


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A heavy, block-driven sans with rounded-rectangle construction and softened corners throughout. Curves resolve into squarish bowls and superelliptical counters, giving letters a sturdy, engineered feel rather than a purely geometric roundness. Strokes are consistently thick with minimal modulation, terminals are blunt, and many apertures are relatively tight, producing dense, dark text color. Proportions favor broad, stable shapes; diagonals are strong and simplified, and the overall rhythm is compact and punchy in both caps and lowercase.

Well suited to large-scale display work where maximum impact is needed: headlines, posters, sports and team graphics, bold brand marks, packaging fronts, and wayfinding or signage. It can work for short bursts of text (labels, buttons, emphasis) but is visually dense for long-form reading.

The tone is bold and no-nonsense, reading as tough, athletic, and slightly retro. Its rounded corners keep the voice friendly enough to avoid harshness, while the dense forms and tight openings maintain a forceful, poster-ready presence.

The design appears intended to deliver a compact, high-impact sans with rounded-rectangle geometry, balancing toughness with approachable softness. Its consistent weight and simplified shapes prioritize clarity at a distance and strong silhouette recognition in branding and display contexts.

In paragraph settings the weight creates substantial visual mass, so spacing and line length will strongly affect readability; it performs best when allowed generous tracking and leading. Numerals match the same squared, rounded construction for a uniform voice across headlines and callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸