Sans Superellipse Orgov 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'News Gothic BT' by Bitstream, 'Newspoint' by Elsner+Flake, 'CF Blast Gothic' by Fonts.GR, 'News Gothic' by ParaType, 'PG Gothique' by Paulo Goode, and 'News Gothic SH' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, assertive, utilitarian, modern, compact, space saving, high impact, geometric voice, clarity, squared, rounded corners, condensed, blocky, monolinear.
A compact, heavy sans with squared, superelliptical curves and broadly consistent stroke thickness. Forms are built from rounded-rectangle geometry: counters are relatively tight, curves feel boxy rather than circular, and terminals tend toward blunt, clean endings. Proportions are tall and condensed, with firm verticals and simplified joins that keep the silhouettes dense and stable. Numerals and capitals match the same compressed rhythm, producing a uniform, tightly packed texture in lines of text.
Best suited to headlines, posters, packaging, and bold branding where a compact, high-impact voice is needed. It can also work for signage and UI labels when space is tight and a dense, legible sans is preferred over a more open grotesk.
The overall tone is strong and no-nonsense, with a contemporary, industrial edge. Its compressed stance and blocky rounding read as confident and functional, leaning more toward impact and clarity than warmth or delicacy.
The design appears intended to deliver maximum punch in limited horizontal space, combining a condensed skeleton with rounded-rectangular construction for a contemporary, geometric personality. Its simplified, sturdy letterforms suggest a focus on strong silhouettes and consistent rhythm for display-driven typography.
In running text the narrow set and dark color create a forceful headline texture; spacing appears tuned to keep letters close without collapsing into each other. Round letters like O/C show the distinctive squared curvature, while diagonals (A/V/W/X) remain sturdy and straightforward, reinforcing a pragmatic, engineered feel.