Sans Normal Nakim 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Fact' by ParaType; 'Belle Sans' by Park Street Studio; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; 'Ponder' by TypeUnion; and 'Artico' by cretype (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, friendly, confident, modern, bold, approachable, impact, clarity, approachability, modern branding, display, rounded, soft corners, chunky, clean, geometric.
This typeface has a heavy, compact stroke structure with broad proportions and smooth, rounded joins. Curves are built from simple geometric arcs, while terminals are mostly straight or gently softened, producing a clean, sturdy silhouette. Counters are relatively tight in letters like B, P, and R, and the overall spacing reads solid and even, helping the font hold together as dense, high-impact text. The lowercase maintains clear, straightforward forms with simple bowls and a single-storey feel where applicable, while numerals are robust and highly legible at display sizes.
It performs best in headlines, posters, and brand marks where strong presence and quick readability are needed. The thick strokes and broad shapes also suit signage and packaging, especially in short phrases, labels, and callouts that benefit from a confident, friendly voice.
The overall tone is assertive and upbeat, with a friendly, contemporary character rather than a severe or technical one. Its rounded geometry and hefty weight give it a welcoming, poster-ready presence that feels direct, energetic, and easy to read.
The design appears intended as a contemporary, geometric sans for high-impact communication—prioritizing bold legibility, simple construction, and an approachable tone for modern branding and display typography.
Diagonal shapes (notably V, W, X, and Y) are strongly constructed and stable, avoiding hairline pinch points. The design prioritizes clear silhouettes and consistent heft across caps, lowercase, and figures, making it especially effective when set large and tightly composed.