Sans Superellipse Otkal 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bega' by Indian Type Foundry and 'Dalle' by Stawix (names referenced only for comparison).
Keywords: headlines, ui labels, signage, posters, branding, modern, confident, neutral, friendly, technical, clarity, impact, utility, contemporary, geometric, compact, rounded, clean, sturdy.
A heavy, geometric sans with compact proportions and broadly rounded-rectangle construction in curved letters. Strokes are monolinear with minimal modulation, terminals are mostly square-cut, and corners are subtly softened rather than sharply chamfered. Counters are tight and well-contained, giving the face a dense color, while apertures remain fairly open for clarity. The lowercase shows simple, contemporary forms (single-storey a and g), a short-armed r, and a straightforward t with a firm crossbar; numerals are solid and utilitarian with consistent stroke weight.
Best suited to headlines, product branding, UI labels, and wayfinding where a compact, sturdy sans is beneficial. It also works well for posters and marketing copy at larger sizes where its dense texture and rounded geometry can carry a strong visual presence.
The overall tone is modern and matter-of-fact, projecting strength and reliability without feeling aggressive. Rounded geometry adds approachability, while the dense weight and clean construction keep it crisp and professional, leaning toward contemporary UI and tech-adjacent branding.
The design appears aimed at a contemporary, high-utility sans that balances geometric rigor with softened corners for approachability. It prioritizes clear silhouettes, consistent stroke weight, and compact, impactful spacing to perform reliably in modern display and interface contexts.
Round letters like O/C/G read as superelliptical rather than purely circular, which creates a distinctive, slightly squared softness. The combination of tight counters and strong verticals produces high visual impact in headlines and short lines, and the punctuation and capitals keep a straightforward, no-nonsense rhythm.