Serif Other Ufha 2 is a regular weight, wide, medium contrast, upright, tall x-height font.
Keywords: headlines, logotypes, posters, sci-fi ui, packaging, techno, retro-futurist, industrial, geometric, display, hybrid serif, tech display, systematic geometry, high impact, squared, rounded corners, modular, angular, monolinear.
A geometric, modular serif with squared bowls and softly rounded outer corners, giving the outlines a machined, tube-like feel. Strokes are largely even with restrained contrast, and terminals tend to resolve into short, rectilinear serifs or flat ends rather than tapered calligraphy. Counters are boxy and open, with generous internal space, and many curves are expressed as radiused right angles (notably in C/G/O and the numerals). Proportions are expansive with a tall lowercase that keeps the texture bright and legible, while widths vary noticeably between glyphs, adding a slightly mechanical rhythm in text.
Best suited to display settings where its geometric construction and serifed structure can be appreciated: headlines, posters, brand marks, tech-leaning packaging, and interface-style graphics in games or film-inspired layouts. It also works well for short passages such as pull quotes or signage where clarity and a distinctive technical voice matter.
The font reads as futuristic and engineered—reminiscent of control panels, sci‑fi titling, and late-20th-century tech graphics—while the presence of crisp serifs adds a distinctive, slightly formal edge. Its squared geometry and consistent stroke behavior create a confident, utilitarian tone that feels contemporary yet retro.
The design appears intended to fuse a modern, squared techno skeleton with serif cues, producing a distinctive hybrid that feels both engineered and typographic. Its consistent modular rounding and boxy counters suggest a deliberate system aimed at strong recognizability and a clear, graphic presence in titles and branding.
Distinctive details include a boxy, inset-like construction in several bowls (e.g., B/P/R and lowercase a), a squared, cut-through Q tail, and numerals that echo the same rounded-rectangle logic (notably 2, 3, and 8). In longer lines the steady, modular shaping produces a strong horizontal cadence, making it more impactful at larger sizes than in dense body copy.