Serif Other Sula 4 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, signage, logotypes, techno, retro, display, industrial, futuristic, geometric styling, tech aesthetic, display impact, signage clarity, brand voice, squared, rounded, stenciled, geometric, angular.
A geometric serif with squared, rounded-corner construction and a strong, poster-friendly weight. Strokes are largely monolinear with subtle contrast, and terminals often resolve into small, blocky wedge-like serifs that read as engineered rather than calligraphic. Bowls and counters tend toward rounded rectangles, while joins are crisp and orthogonal, creating a modular rhythm across the alphabet. The lowercase shows a single-storey a and g, a compact e with a rectangular counter, and a generally wide, steady set that emphasizes horizontal alignment and mechanical consistency.
Best suited to headlines, posters, packaging, and branding where a stylized, engineered serif can carry personality. It also works well for signage and logotypes that want a retro-tech or futuristic edge, and for short blocks of display copy where its geometric rhythm can be appreciated.
The overall tone feels retro-futuristic and techno, with an industrial, sci‑fi flavor that suggests circuitry, signage, and stylized machine labeling. Its squared curves and sharp notches create a purposeful, constructed personality—more “designed object” than “book type.”
The design appears intended to merge classical serif cues with a modular, geometric build, creating a decorative display face that feels technical and modern while retaining a serif identity. It prioritizes distinctive silhouette and consistent constructed shapes over traditional text-oriented warmth.
Distinctive details—like the squared, open forms in C/G/S, the rounded-rect O/Q with a deliberate tail treatment, and the chunky, geometric numerals—reinforce a coherent display aesthetic. The punctuation and text sample indicate it stays legible at larger sizes, where the interior shapes and serif cuts remain clear and expressive.