Sans Normal Vibom 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Poynter Gothic' by Font Bureau, 'Monto Grotesk' and 'Monto Screen' by Lucas Tillian, 'Ryman Gothic' by W Type Foundry, and 'Brute Sans' and 'Penta' by Wiescher Design (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, sports, sporty, dynamic, modern, clean, confident, create motion, modernize tone, maximize impact, ensure clarity, slanted, rounded, geometric, smooth, compact.
This typeface is a slanted sans with smooth, rounded curves and a solid, even stroke that keeps contrast minimal. Letterforms lean consistently forward with compact proportions and gently softened corners, producing a streamlined silhouette. Curves in C/G/O/Q and the bowls in B/P/R read as geometric and controlled, while diagonals (A/K/M/N/V/W/X/Y/Z) are sturdy and cleanly cut. The lowercase shows simple, functional construction with a single-storey a and g, rounded terminals, and a relatively restrained set of ascenders/descenders that supports tight, efficient word shapes. Numerals are similarly rounded and sturdy, with clear, open counters and a stable rhythm in running text.
It suits branding systems that need a modern, active voice, as well as headlines, posters, and packaging where a bold, slanted sans can add momentum. It also fits sports, automotive, and tech-adjacent communications, and works well for short UI labels or callouts when a dynamic emphasis is desired.
The overall tone is energetic and forward-moving, with a contemporary, utilitarian feel. The steady slant and compact, rounded shapes convey speed and confidence without becoming aggressive, making it feel sporty and businesslike at the same time.
The design appears intended to deliver a fast, contemporary sans voice by combining a consistent forward slant with rounded, geometric construction and sturdy, highly legible shapes. It prioritizes clear silhouettes and an even typographic color for impactful display use and energetic messaging.
Spacing appears balanced for display and short text, with strong, graphic silhouettes that hold up well at larger sizes. The italic angle is pronounced enough to create motion, while the simple construction keeps the texture uniform across mixed-case settings.