Slab Square Itry 2 is a bold, wide, high contrast, italic, normal x-height font visually similar to 'DT Augustina Slab' by Deveze Type, 'Pulpo' by Floodfonts, and 'Deccan' by Indian Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, book covers, vintage, assertive, sporty, editorial, playful, display impact, retro tone, dynamic emphasis, editorial character, brand voice, bracketed, lively, compact, robust, calligraphic.
A slanted, high-contrast serif with heavy, squared-off slab-like serifs and visibly bracketed joins that soften the blocky structure. Strokes show a calligraphic feel: thick verticals and diagonals with sharper hairline connections and tapered entries, producing a lively rhythm. Proportions are broad with sturdy capitals and a slightly more expressive lowercase, featuring round, weighty bowls and energetic, angled terminals. Numerals are bold and decorative, with noticeable curvature and strong serif presence that helps them sit firmly on the baseline.
This font is well suited to headlines, posters, and branding where a bold, classic-leaning italic voice is desirable. It can also work for packaging and book covers that benefit from a robust, vintage display texture. In longer passages it will read as intentionally stylized, making it best for short editorial callouts, subheads, and featured text rather than dense body copy.
The overall tone feels vintage and emphatic—confident, slightly theatrical, and built to be noticed. Its italic motion and chunky serifs create a dynamic, sporty flavor, while the contrast and bracketing add an editorial, old-style warmth. The result is expressive and characterful rather than quiet or purely utilitarian.
The design appears intended to blend slab-serif sturdiness with an italic, calligraphic energy, creating a strong display face with a nostalgic, print-forward personality. Its contrast and bracketed slabs seem calibrated to deliver impact and motion while keeping letterforms cohesive and bold on the page.
Spacing appears generous enough for display use, but the dense black shapes and strong slant create a tight, energetic texture in paragraphs. The design leans on sturdy slabs and rounded forms, giving counters a compact look and emphasizing word shapes through pronounced serifs and angled stress.