Sans Superellipse Akji 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Packaged Cookies JNL' by Jeff Levine, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: ui, headlines, signage, branding, packaging, techy, modern, industrial, efficient, futuristic, clarity, systemization, consistency, modernization, geometric, modular, squared-round, monolinear, compact counters.
The design is a geometric sans built from rounded-rectangle/superelliptical forms, producing corners that are softened but still distinctly square-leaning. Strokes are monolinear and steady, with compact counters and a consistent, modular construction across uppercase, lowercase, and figures. Terminals tend to be flat and clean, with curves resolved into squared bowls (notably in C, O, Q, and 0), giving the face a disciplined, grid-friendly silhouette. The lowercase remains straightforward and legible, while the numerals share the same squared-round logic for a cohesive, systemlike texture.
It suits interface text, dashboards, product labeling, and contemporary branding where a clean, technical voice is desirable. The squared-round shapes and uniform strokes also work well for headlines, signage, and packaging that benefit from a modern, system-oriented aesthetic. It can reinforce a tech, gaming, or industrial identity in logos and display settings while remaining serviceable for short-to-medium blocks of text.
This font conveys a clean, engineered tone with a slightly futuristic, tech-forward feel. Its squared curves and crisp, even rhythm read as efficient and modern rather than expressive or traditional. The overall impression is pragmatic and confident, with a subtle sci‑fi/industrial edge.
The letterforms appear designed to deliver a consistent, modular look that stays crisp in UI-like contexts and structured layouts. The squared-round geometry suggests an intention to blend friendliness (rounded corners) with precision (rectilinear construction), creating a contemporary sans that feels engineered and repeatable.
The rounded-rectangular logic is applied very consistently, which produces a distinctive texture in running text—especially in circular letters and zeros that read as squared ovals. Spacing appears balanced and even, supporting a tidy, grid-aligned appearance in both all-caps and mixed-case settings.