Serif Other Yili 3 is a very bold, very wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, signage, art deco, poster, stencil-like, theatrical, retro, decorative display, geometric styling, retro evocation, headline impact, geometric, modular, high impact, incised, notched.
A heavy, display-oriented serif with a geometric, modular construction. Many letters are built from broad, flat-sided strokes and near-circular bowls, interrupted by crisp triangular cut-ins and vertical split joints that create a stencil-like, segmented feel. Curves are simplified and often meet straight stems with sharp, chamfered transitions; terminals and serifs read as sculpted notches rather than flowing pen forms. The overall rhythm is bold and blocky, with distinctive internal negative shapes that become part of the design in both capitals and lowercase.
Best suited to large-scale applications such as posters, headlines, signage, and packaging where its cutout details and bold silhouettes can be appreciated. It can also work for branding marks and title treatments that want a retro, decorative presence. For longer passages, it is likely most effective in short bursts (titles, pull quotes, labels) rather than continuous body copy.
The font projects a dramatic, vintage show-card energy with a distinctly Art Deco flavor. Its carved-in, cutout detailing feels theatrical and slightly mechanical, giving headlines a confident, stylized voice that leans more toward spectacle than neutrality. The repeated triangular incisions and splits add a sense of motion and ornament while keeping the tone assertive and graphic.
The design appears intended as a high-impact decorative serif that merges geometric letterforms with intentional incisions and split strokes to create a carved or stencil-like aesthetic. Its consistent system of notches and joints suggests a focus on building a recognizable display voice for titles and branding, evoking early 20th‑century poster typography through contemporary, modular shaping.
Counters and joins are frequently interrupted by deliberate gaps, which increases sparkle at large sizes but can reduce clarity as text gets smaller. The numerals follow the same segmented logic, with strong silhouettes and decorative internal cuts that prioritize character over minimalism. Spacing in the sample text reads as intentionally chunky, emphasizing a dense, poster-like color.