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Free for Commercial Use

Sans Normal Wugis 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Pragmatica' by ParaType, and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).

Keywords: posters, packaging, children’s, signage, headlines, friendly, handmade, casual, playful, approachable, human feel, approachability, playfulness, display impact, hand-lettered, rounded, soft, chunky, informal, quirky.


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A heavy, rounded sans with softly irregular, hand-drawn contours and subtly wobbly stroke edges. The forms favor broad curves and blunt terminals, with closed counters that stay open enough for clarity at display sizes. Proportions are slightly uneven from glyph to glyph, creating an organic rhythm; widths vary noticeably (especially in letters like M/W versus I/J), and bowls and shoulders often look gently inflated. Overall spacing appears generous, supporting legibility despite the intentionally imperfect outlines.

Well-suited for posters, packaging, and branding that benefits from a casual, friendly voice, as well as signage and short headlines where the bold shapes can carry from a distance. It can also work for kids-oriented materials and playful editorial callouts; for long passages, it will be most comfortable at larger sizes where the irregular edges read as texture rather than noise.

The typeface conveys a warm, approachable tone with a homemade character, like marker lettering cleaned up for digital use. Its soft geometry and mild irregularities read as playful and human rather than strict or technical, making text feel conversational and inviting.

The design appears intended to mimic confident hand lettering while keeping the simplicity and readability of a rounded sans. It prioritizes warmth and personality over strict typographic precision, aiming for an expressive, approachable display style that still holds together in words and paragraphs.

Uppercase letters are simple and sturdy, with rounded joins and minimal angularity; lowercase forms keep single-storey constructions and compact ascenders/descenders that reinforce the friendly, informal texture. Numerals match the same chunky, rounded construction, staying consistent in weight and presence for headings or labels.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸