Sans Normal Kumen 2 is a bold, normal width, monoline, italic, normal x-height font visually similar to 'Myna' by Milatype, 'Sofia Pro' by Mostardesign, 'Radikal' by Nootype, 'Grava' by Positype, 'Santral' by Taner Ardali, and 'Noyh Geometric' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, energetic, modern, friendly, assertive, visual impact, express motion, modern branding, display clarity, compact emphasis, slanted, geometric, rounded, high-contrast counters, compact.
A slanted sans with sturdy, even stroke weight and clean, rounded geometry. Letterforms lean consistently forward, with smooth curves in bowls and counters and crisp, straight terminals that keep the shapes sharp rather than soft. The proportions feel compact and efficient, with large, open interior spaces in characters like O, P, and e that help maintain clarity at display sizes. Overall rhythm is punchy and uniform, pairing circular forms with angled joins and diagonals for a fast, contemporary silhouette.
Well-suited for headlines, posters, and branding systems where an energetic, italic voice is desirable. It can work effectively on packaging and labels that benefit from compact, bold shapes, and it fits naturally in sports and lifestyle applications where motion and impact are key.
The font conveys motion and drive through its pronounced slant and tight, athletic proportions. It reads as contemporary and approachable rather than formal, with rounded forms adding friendliness while the angled stance adds urgency and confidence. The tone suits energetic branding and messaging that needs to feel active and forward-looking.
The design appears intended to deliver a bold, forward-leaning sans that feels fast and modern while staying legible. Its rounded geometry and consistent stroke behavior suggest a focus on strong display readability and a confident, contemporary brand tone.
Numerals and capitals have a strong sign-like presence, with simple constructions and clear silhouettes that hold up well in short bursts of text. The slant is prominent enough to become part of the voice, so it tends to read best when used intentionally as a stylistic emphasis rather than as a neutral workhorse face.