Sans Superellipse Genam 8 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Mesveda' by Agny Hasya Studio, 'Normaliq' by Differentialtype, 'EB Corp' by Eko Bimantara, 'Articulo' by Gilar Studio, 'Neusa Neu' by Inhouse Type, 'Celluloid JNL' by Jeff Levine, 'Danos' by Katatrad, 'Nusara' by Locomotype, and 'Betm' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app ui, sporty, assertive, dynamic, modern, industrial, impact, speed, modernity, clarity, brand presence, rounded, oblique, compact, blocky, smooth.
A heavy, oblique sans with rounded-rectangle construction and softened corners throughout. Strokes are monoline and dense, with compact interior counters and broad, steady curves in bowls and arcs. The italic slant is consistent and mechanically clean, while terminals tend to be squared-off or lightly rounded rather than tapered. Overall spacing and proportions favor a sturdy, blocklike silhouette that keeps forms punchy and legible at display sizes.
Best suited to headlines, posters, and branding where strong impact and motion are desired. It fits sports or performance-oriented identities, product packaging, and bold UI moments like hero text or promotional banners. Because the design is compact and dense, it works especially well when you need maximum presence in limited space.
The tone is energetic and forceful, with a fast, forward-leaning stance that reads as athletic and contemporary. Rounded geometry keeps it approachable, but the mass and compact counters add a no-nonsense, high-impact character. It suggests motion, performance, and a slightly technical, engineered feel.
The design appears intended to deliver a modern, high-impact italic sans built from rounded-rect geometry, balancing friendliness with power. Its consistent slant and simplified stroke endings emphasize speed and clarity, aiming for strong recognition in short phrases and branding contexts.
Round letters (like O and 0) are built from superelliptical shapes, producing flatter sides and more squared curves than a purely geometric circle. Numerals share the same chunky, rounded-square logic, and the overall rhythm stays uniform and tightly controlled despite the slant.