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Free for Commercial Use

Distressed Jeno 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Whatchamacallit' by Comicraft, 'Timeout' by DearType, 'Muller Next' by Fontfabric, 'Goodrich' by Hendra Pratama, 'Pesto Fresco' by Resistenza, 'Earthboy' by Supfonts, and 'Thierry Leonie' by Viswell (names referenced only for comparison).

Keywords: posters, headlines, album art, event flyers, packaging, grunge, playful, retro, handmade, rowdy, add texture, create impact, evoke wear, signal diy, set mood, rough edges, blobby, inked, stamped, irregular.


Free for commercial use
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A compact, heavy display face with chunky strokes and irregular, eroded contours. The silhouettes are blocky and upright, with soft corners and a slightly lumpy, ink-pressed feel that makes the edges look torn or worn rather than cleanly drawn. Counters are generally small and simplified, and the overall rhythm is uneven in a deliberate way, producing a rough, hand-inked texture across words and lines. Numerals and capitals keep the same stout massing, maintaining strong color and presence at larger sizes.

Best suited to short, high-impact text such as posters, headlines, covers, and promotional graphics where the distressed texture can be appreciated. It also fits theming for spooky, gritty, or vintage-printed applications like event flyers, album artwork, and bold packaging titles.

The font reads as gritty and mischievous, evoking distressed printing, DIY signage, and playful horror or pulp poster energy. Its roughness adds attitude and informality, turning straightforward text into something more rebellious and attention-grabbing.

The design appears intended to deliver maximum impact with a built-in worn/printed texture, combining bold, compact letterforms with deliberately rough outlines to suggest aged ink, distressed stamping, or rough-cut lettering.

The texture is built into the outlines rather than relying on shading, so the distressed character stays consistent across different letters. The compact proportions and heavy fills create a dense typographic color, and the irregular edges become a key visual feature that benefits from generous tracking and larger sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸