Sans Normal Jekud 7 is a very bold, very wide, low contrast, italic, normal x-height font visually similar to 'Miura' by DSType; 'Adero' by Eko Bimantara; 'Sztos' by Machalski; 'Performa' by Resistenza; and 'Matahari Sans', 'Matrice', and 'Radiate Sans' by Studio Sun (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, dynamic, confident, friendly, modern, impact, motion, approachability, modernity, emphasis, rounded, oblique, soft corners, geometric, bulky.
A heavy, rounded sans with an oblique slant and broad, expansive letterforms. Strokes are thick and largely monolinear, with generous curves and softened terminals that keep the texture smooth despite the mass. Counters tend to be open and circular, and many joins and diagonals are cut with clean, angled transitions that add snap to the otherwise pillowy geometry. The overall rhythm reads wide and steady, with large, sturdy shapes and tight-looking internal spaces that create a dense, high-impact color in text.
Best suited to display contexts where weight and width can do the work: headlines, posters, short statements, and bold brand marks. It also fits packaging and apparel graphics where a strong, rounded oblique sans can communicate energy and approachability, and it holds up well in large-size UI or hero messaging where impact is prioritized over long-form reading.
The font projects a fast, energetic tone—bold, assertive, and contemporary—while the rounded construction keeps it approachable rather than severe. Its slant and chunky forms suggest motion and confidence, lending a sporty, promotional feel.
The design appears intended to deliver maximum visual impact with a wide, rounded silhouette and an inherent sense of motion from the oblique angle. It balances muscular weight with softened geometry to stay friendly and legible in short bursts, aiming at contemporary commercial and sporty applications.
Uppercase forms show a strong geometric backbone with rounded bowls (notably in C, O, Q) and crisp diagonal cuts in letters like A, K, V, W, X, and Z. Lowercase remains compact and sturdy, with single-storey a and g and a simple, functional t; figures are similarly rounded and heavy, producing a consistent, punchy line when mixed with text.