Sans Superellipse Kudu 10 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Geom Graphic' by Dharma Type (names referenced only for comparison).
Keywords: ui labels, tech branding, signage, headlines, posters, techy, futuristic, clean, industrial, geometric, geometric identity, system clarity, modern branding, display readability, rounded corners, rectilinear, squared curves, modular, uniform strokes.
A geometric sans built from squared-off curves and rounded-rectangle counters, giving letters a superelliptic, “soft-square” geometry. Strokes are monolinear with minimal modulation, and terminals are mostly flat with consistently rounded corners. The overall set feels sturdy and compact in its curves while maintaining open apertures and clear counters; diagonals (V, W, X, Y, K) are crisp and straight, contrasting with the rectilinear bowls in letters like O, D, P, and b. Spacing appears generous and even, supporting a steady rhythm in both all-caps and mixed-case text.
Well-suited for interface typography, dashboards, and labeling where a crisp, contemporary voice is desired. The boldish presence and geometric construction also work well for tech-forward branding, packaging, and short-to-medium headline settings. Its consistent, rounded-rectilinear shapes can add a distinctive identity to signage and display applications.
The design reads as modern and engineered, with a subtle sci‑fi and product-interface attitude. Rounded corners soften the mechanical construction, balancing precision with approachability. Overall, it conveys efficiency, clarity, and a contemporary digital tone.
Likely intended as a modern geometric sans that replaces circular forms with rounded rectangles to create a distinctive, system-like personality. The consistent corner rounding and monoline construction suggest an emphasis on clarity, repeatable shapes, and strong visual branding in digital and industrial contexts.
The numeral set follows the same rounded-rectangle logic, producing distinctive, squared curves in forms like 0, 2, 3, 6, 8, and 9. The uppercase and lowercase share a consistent construction, and the font maintains a coherent modular feel across straight, diagonal, and curved components.