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Free for Commercial Use

Wacky Peti 1 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream; 'Jam Adega' by JAM Type Design; 'Frutiger' and 'Frutiger Next Paneuropean' by Linotype; 'FreeSet' by ParaType; and 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids branding, event flyers, playful, cartoonish, whimsical, chunky, quirky, attention grabbing, playful display, novelty styling, branding voice, rounded, soft corners, ink traps, inlined highlights, posterlike.


Free for commercial use
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A chunky display face with heavy, rounded forms and soft corners. Strokes are simplified and blocky, with a subtle carved/inset look created by small internal white “highlight” shapes near terminals and counters. Curves are generous and bulbous (notably in C, G, O, S), while verticals and horizontals remain stout and stable, producing a sturdy rhythm. Counters are generally compact, and the overall silhouette feels slightly uneven and hand-tuned rather than mechanically uniform, reinforcing its novelty character.

Best suited for short display settings where its chunky silhouettes and decorative highlights can be appreciated: posters, bold headlines, playful branding, packaging, stickers, and event flyers. It can also work for attention-grabbing UI labels or merchandise graphics when set large with comfortable spacing.

The inlined highlight details and bouncy shapes give the font a toy-like, comic sensibility. It reads as cheerful and attention-seeking, with a deliberately oddball texture that feels suited to lighthearted, informal messaging rather than sober editorial settings.

The design appears intended to deliver a loud, friendly display voice with a distinctive “shiny” interior detailing that differentiates it from standard heavy sans styles. Its proportions and simplified geometry prioritize impact and character over neutrality, aiming for an expressive, memorable look in branding and titling.

The decorative internal highlights appear consistently across many glyphs (including several numerals), acting like built-in shine/ink-trap accents that add texture at large sizes. Tight counters and the dense weight suggest it will perform best with generous tracking and ample line spacing when used in text blocks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸